What is the main theme of the Peripheral Windshield Theatre show?

The show, entitled 'Flowers in Cast Iron, Rust in the Present', analyses the dynamics of memory. Explore how collective memory functions as a machine that processes the past, comparing the vitality of facts (flowers) with the temporal wear and tear that can corrode the perception of the present (rust).

What approach has the Peripheral Theatre taken to engage the audience?

The company chose to dissect the concept of memory not as a mere reenactment, but as a tool for social inquiry. The public was stimulated to active participation, questioning how the past influences current collective and individual identities in the Ticino context.

Is it possible to define theatrical memory as an element of social analysis?

Yes, according to what emerges from the proposed reflection, memory can become an active element in the present. The analysis focuses on the difficulty of handling events distant in time, trying to avoid that the memory remains confined to a passive dimension, instead conditioning today's choices and the vision of the territory.

Teatro Periferico in Locarno: reflections on memory (cross-border guide)

Di Redazione Frontaliere Ticino · Published on 3 August 2026

Facade of the Paravento theater in Locarno

The Teatro Periferico brings to the stage at the Paravento in Locarno a reflection on memory, analyzing its lights and shadows in the cultural context of Ticino.

Context

In brief

The Teatro Periferico performs at the Paravento in Locarno.
The show analyzes the dynamics of the so-called memory machine.
The event offers food for thought on the pros and cons of theatrical memory.

Key Facts

What: Theatrical performance of the Peripheral Theater.
Where: Teatro Paravento, Locarno.
Theme: The memory machine and the present time.
Subject: Peripheral Theatre.

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Operational details

Analysis of scenic dynamics

The analysis of the show at the Paravento allows us to reflect on how the themes of memory are addressed in the Canton of Ticino. The Peripheral Theater has adopted a strategy that questions the role of the spectator, transforming him from a simple observer to an integral part of the mnemonic mechanism. This approach raises interesting questions for anyone involved in culture or heritage management. The distinction between what is essential to remember and what is inevitably subject to wear and tear, defined in the source as 'rust', is the focus of the entire performance. For a cross-border worker or for those who experience the cross-border reality between Ticino and Italy, the concept of memory is often linked to the complexity of the historical, economic and social ties that unite the two countries. Although the show does not deal directly with aspects such as the G permit, AHV or KVG, the theme of time and memory draws attention to the transformations of the labour market and commuter identity. In a context where the new tax agreement and the dynamics of withholding tax are redefining relations between the two states, reflecting on memory also means understanding how old practices clash with the needs of 2026. The 'memory machine' set in motion by the Peripheral Theatre thus becomes a mirror to analyse the evolution of the territory, where the past (the old cross-border workers, the 1976 conventions) is constantly reworked in the light of new regulations. The ability to manage this legacy, preventing the 'rust' of bureaucracy or preconceptions from blocking the present, is a daily challenge. Viewers are invited to consider the value of their personal journeys in relation to a broader history, made up of transits at the Brogeda or…

Key points

Tools and procedures for daily mindfulness

Participating in cultural events that stimulate collective memory is a way to connect with the social fabric of the Canton of Ticino. However, managing one's professional life remains a priority that requires just as much attention. For those who work in Switzerland, it is essential to maintain a clear view of their rights and obligations, especially in a period of regulatory transition. Awareness passes through the use of digital tools that allow you to monitor your contribution and tax situation precisely. When we talk about 'memory' in the workplace, the reference immediately runs to the correct archiving of documents: payslips, AHV certificates, LPP extracts and certificates of payment of withholding tax are elements that should never be left to the 'rust' of disorganization. The proper keeping of a personal archive is the basis for avoiding complications with the Italian Revenue Agency or the tax authorities of the Canton of Ticino. It is advisable to adopt a systematic procedure for the preservation of documents, which includes the annual verification of tax credits to avoid double taxation. For those who want to optimize their financial planning, the site offers several useful tools to help you find your way around. Consulta il calcolatore fiscale to simulate the impact of the new rates on your net salary. In addition, it is useful to stay up-to-date on the dynamics that affect daily life, such as waiting times at crossings or changes in the cost of living. The historical memory of migration flows and changes in the Ticino labour market teaches us that flexibility and information are the keys to better managing one's cross-border career. Don't let bureaucratic complexity affect your financial stability: constantly…

Frequently Asked Questions

What is the main theme of the Peripheral Windshield Theatre show?: The show, entitled 'Flowers in Cast Iron, Rust in the Present', analyses the dynamics of memory. Explore how collective memory functions as a machine that processes the past, comparing the vitality of facts (flowers) with the temporal wear and tear that can corrode the perception of the present (rust).
What approach has the Peripheral Theatre taken to engage the audience?: The company chose to dissect the concept of memory not as a mere reenactment, but as a tool for social inquiry. The public was stimulated to active participation, questioning how the past influences current collective and individual identities in the Ticino context.
Is it possible to define theatrical memory as an element of social analysis?: Yes, according to what emerges from the proposed reflection, memory can become an active element in the present. The analysis focuses on the difficulty of handling events distant in time, trying to avoid that the memory remains confined to a passive dimension, instead conditioning today's choices and the vision of the territory.